01 Lapis Lazuli
Théo Jerusalem craftsmanship
From drawing to inlay.
A motif designed in Jerusalem, a marble object shaped in Makrana, inlay work carried out in Agra. Each stage brings material and drawing together, giving ritual objects their distinctive presence.
Bereshit collection · The Kiddush
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The drawing sets the direction.
It begins with a composition: lines, flowers, letters and their place on the form. The drawing prepares the meeting between a Judaica object and the stones that will define its details.

Colour takes shape.
Stones are chosen for their colours and patterns. They are then cut and adjusted into small elements, each with a precise place in the composition. Malachite and lapis lazuli give each variant its character.



Stone meets marble.
The motif is carved into the marble to receive the stone elements. The fragments are adjusted, then fixed into their recesses. Inlay becomes part of the surface of the object, bringing the drawing into the material.
Revealing the surface.
Polishing reveals the meeting of marble and stone, smooths the surface and brings out the colours. Finishing focuses attention on the details that give the creation its balance: form, motif and light.

Craftsmanship
Giving the materials form.
02 Green, depth
03 Craftsmanship
Stone, marble, the gesture.
CraftsmanshipCraftsmanship becomes ritual.
Working with materials finds its meaning when a creation enters a home, a Shabbat table or a celebration. The drawing becomes an object to use, give and pass on.
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